Vocal sensations and winners of season 3 of NBC’s The Sing-Off, Pentatonix are taking instrument-free music far beyond anyone’s wildest expectations. Named after the world’s most widely recognized five-note music scale, this quintet has transformed one of pop music’s purest and most soulful expressions into an exciting future, filled with limitless sonic possibility. From their original tracks to their intricate reimagining of pop hits and epically complex arrangements and medleys, Pentatonix have quickly developed a sound and style that is entirely unique and undeniably infectious.
Pentatonix is comprised of lead vocalists Scott Hoying (22), Kirstie Maldonado (21) and Mitch Grassi (21), vocal bass Avi Kaplan (24) and beatboxer Kevin “K.O.” Olusola (25) and, while the individuals would maintain that each of their fellow band members is irreplaceable, the fact remains that 24-hours before their audition for The Sing-Off they still hadn’t all officially met.
A freshman at The University of Southern California, Scott decided to audition for the show and enlisted childhood friends and fellow Arlington, Texas-natives Kirstie and Mitch. As a high school vocal trio, they had found success both locally and online thanks to their cover of Lady Gaga’s “Telephone.” Determined to add depth and a distinctive dynamic to the group, Scott set out to add more vocalists, first adding Avi, who’d built himself a reputation as one of the most talented vocal basses in Southern California, and eventually took to YouTube where he found the video for “Julie-O,” featuring Kevin’s cello-boxing (simultaneously beatboxing and performing the song on his cello).
Finally a fully formed group, Pentatonix perfected their sound (and their chemistry) throughout the season, naturally developing a signature style and a knack for arranging songs that pulled equally from the five individuals’ strengths. Despite drawing from a dizzyingly eclectic set of musical genres – the group cites pop, jazz, r&b, indie, folk, dubstep and electronica as just a few of their inspirations – the quintet seemed to mesh magically, evident in their modern interpretation of The Buggles’ “Video Killed The Radio Star,” or their epic adaptation of Florence and the Machines’ “The Dog Days Are Over.” Before long, Pentatonix had become a legitimate musical force, armed with a collective confidence and swagger that would eventually propel them to win the competition.
After The Sing Off, Pentatonix relocated to Los Angeles where they produced and released 2 EP’s – PTX Vol 1 & PTXmas (both via Madison Gate Records) – each time debuting on Billboard’s Top 200 and selling more than 125,000 albums. They have twice toured North America, regularly selling out venues that include New York City’s Best Buy Theater and San Francisco’s Warfield Theater and their first ever European Tour sold out in its entirety. The have performed for Quincy Jones at Atlanta’s Fox Theater and were a featured performer for Diana Ross at Los Angeles’ Hollywood Bowl. Television appearances include performances on Ellen, The Tonight Show w/ Jay Leno, The Katie Couric Show, The Talk, The American Music Awards Red Carpet Show and Sesame Street. Pentatonix have also been regularly featured online by Perez Hilton, RyanSeacrest.com, The Huffington Post, Buzzfeed and The New York Times.
In addition to their live shows, the Pentatonix YouTube channel boasts more than 155 million views and 1.8 million subscribers, propelled by unparalleled performances of Gotye’s “Somebody That I Used To Know,” (18 million views) and Lorde’s “Royals,” (11 million) as well as the incomparable “Evolution Of Music,” a 4 minute, 36-song live journey through the history of music that has tallied more than 21 million views. The group’s cover collaboration with Lindsey Stirling for Imagine Dragon’s “Radioactive” has seen more than 45 million views over the two artists’ channels and won in the “Best Response Video” category at the inaugural YouTube Music Awards on November 3, 2013. The group also has more than 525,000 Facebook fans and 150,000 Twitter followers.
Pentatonix new album – PTX Vol 2 – will be released on November 5th via Madison Gate Records with 8 new tracks, including 3 original songs and a modern twist on the classic “Hit The Road Jack” with original lyrics. The group continues to create, arrange and perform new music, consistently testing any and every preconception of what vocal music is and just how big it can be.
Scott Hoying is a songwriter and pianist who has been performing since the age of 8. Following his graduation from Martin High School in Arlington, TX, Scott enrolled at USC where he joined the SoCal VoCals, a popular and accomplished campus a cappella group. Involved with a variety of musical projects, Scott has been a finalist on CBS’ Star Search and has performed the National Anthem and “God Bless America” at numerous professional and collegiate sporting events, including home games for the Texas Rangers, Dallas Cowboys and Dallas Mavericks.
Mitch Grassi is the youngest member of Pentatonix and a recent high school graduate (he was a high school senior when taping of The Sing-Off commenced). In addition to immersing himself in music theater in Arlington, TX, Mitch’s music tastes skew heavily toward underground club and electronic music. A veteran of many vocal and talent competitions, Mitch took first place at the Teen Talent Follies for his rendition of Scott Alan’s “Kiss the Air.” Mitch is honing his skills in production and DJ-ing while excelling as a lead vocalist for Pentatonix.
Kirstie Maldonado is a National Hispanic Scholar and was a sophomore Music Theater major at The University of Oklahoma before joining Pentatonix. She developed her vocal and performance skills during her eight years as a touring member at Theatre Arlington where she’d learned to sing eight-part harmonies. She began her classical training during high school and was a member of the Texas All State Choir for three years. A four-year show choir member and dance captain, Kirstie held numerous roles in local stage productions, performing at shows around the Metroplex, including Casa Manana and Bass Hall.
Avi Kaplan is a serious student of classical music who also plays guitar, composes and arranges music for both choral and a cappella. A Visalia, CA native, Avi moved to Walnut, CA in 2007 to attend Mt. San Antonio College, known worldwide for their strong choral and a cappella tradition. In 2008 he joined Fermata Nowhere, a high-energy male a cappella group that became the first community college a cappella entrants to win the prestigious ICCA. Avi won the competition’s award for “Best Rhythm Section,” the first year that this award had ever included a vocal bass (the award was called “Best Vocal Percussionist” before Avi’s victory prompted the language change). In his third year at Mt. San Antonio, Avi joined Sincopation, an award-winning jazz ensemble that won the Monterey Jazz Festival Competition in his first year. He has performed at venues worldwide, including New York City’s Lincoln Center and Carnegie Hall.
Kevin “K.O.” Olusola grew up in the small town of Owensboro, Kentucky, the son of a Nigerian psychiatrist and a Grenadian nurse. At an early age, Kevin began learning piano, cello and saxophone. He performed at Carnegie Hall twice as soloist on the cello and saxophone and has appeared on NPR’s “From The Top." After finishing high school at Phillips Academy Andover, Kevin enrolled in Yale University where he was pre-med and majored in East Asian Studies. He spent 18 months in Beijing becoming fluent in Chinese as a part of his Yale fellowship. While in college, Kevin began developing his “celloboxing” skills and in 2009, he won second place in the “Celebrate and Collaborate with Yo-Yo Ma” international competition. Ma would call Kevin's celloboxing version of "Dona Nobis Pacem" both “inventive and unexpected.” In 2011, Kevin’s “Julie-O” celloboxing YouTube video was featured by CBS, AOL, Huffington Post and Washington Post, among others. Kevin was also named one of 100 “History Makers in the Making” by NBC’s TheGrio and was hand-chosen by Quincy Jones to represent him in concert at the 2012 Montreux Jazz Festival alongside Bobby McFerrin and Chick Corea.
Pentatonix’s performance at the sold-out State Theatre was screamingly triumphant. They had a strong sense of musicality, humor, showmanship,fun and put on a nearly flawless 90-minute show. - Minneapolis Star Tribune
Mitch Grassi frequently hit high notes like Freddie Mercury. Avi Kaplan's beguiling baritone was so deep, it practically made Barry White sound like Mercury. But beyond their technical skill, the group showcased engaging emotional range. Pentatonix seems poised to make a cappella bigger than anyone thought possible. - Milwaukee Journal Sentinel
Singing in such delicate harmonies is difficult and impressive enough, but doing it with the speed and accuracy that Pentatonix has put the group on a new level. It was simply stunning." - Tulsa World
Finally had the chance to meet our former Persons of the Week - the unstoppable acapella group Pentatonix. They are somehow even more wonderful in person, and their music will change your whole day. - Diane Sawyer